REVIEW: Hawkeye #21

(Marvel Comics, 2015)

Story by Matt Fraction
Art by David Aja and Raul Allen
Colors by Matt Hollingsworth

This series has been one of the biggest surprises of the entire Marvel Now undertaking; Matt Fraction and David Aja set the bar in the stratosphere at the very beginning and have consistently reached or surpassed that standard issue after stunning issue. Continue reading

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REVIEW: ‘Hawkeye vs. Deadpool’ #1

(Marvel Comics, 2014)

Written by Gerry Duggan
Artwork by Matteo Lolli
Color Artwork by Cris Peter

Gerry Duggan has been methodically carving out a section of the Marvel Universe where inventive storytelling, razor sharp dialog and engrossing plots are the order of the day, of course they are all served with a side of side-splitting humor just to make the whole thing all the more delicious. Continue reading

REVIEW: ‘Hawkeye’ #19

(Marvel Comics, 2014)

Written by Matt Fraction
Artwork by David Aja
Color Artwork by Matt Hollingsworth

The excessive wait between issues is finally over but can Matt Fraction and David Aja pull us back into their world of kitschy noir crime tropes and track-suited Mafiosi? Of course they can! The creative team that originally brought us this solo Avenger series like no other and who is just coming off winning an Eisner for the wildly inventive and imaginative Continue reading

REVIEW: ‘Moon Knight” #1

(Marvel Comics, 2014)

Written by Warren Ellis
Artwork by Declan Shalvey
Color Artwork by Jordie Bellaire
Lettering by Chris Eliopoulos

To me, Moon Knight has always been Marvel’s Batman, or at least the closest approximation to the Dark Knight they had to offer. In the hands of the right creative team, like for instance Bendis and Maleev, Moon Knight is definitely worthy of the comparison Continue reading

REVIEW: ‘She-Hulk’ #1

(Marvel Comics, 2014)

Written by Charles Soule
Artwork by Javier Pulido
Color Artwork by Muntsa Vicente
Leters by Clayton Clowes

After many hours spent reading his work on such titles as Swamp Thing, Thunderbolts, Inhumanity, Superman/Wonder Woman, Red Lanterns and Letter 44, I have come to a very sane and quite logical conclusion which is that Charles Soule is a super hero. Continue reading

REVIEW: ‘Superior Foes of Spider-Man’ #7

(Marvel Comics, 2013)

Review by Shawn Warner

Written by Nick Spencer
Artwork by Rich Ellis
Color Artwork by Lee Loughridge

If you thought that a series as imaginative and original as Superior Foes, based on the misadventures of some of the Marvel Universe’s wackiest D-list miscreants must have some pretty interesting and down-right guffaw inducing origin stories, you would be absolutely correct. Continue reading

REVIEW: “Inhumanity” #1

(Marvel Comics, 2013)

Review by Shawn Warner

Written by Matt Fraction
Artwork by Olivier Coipel
Inks by Mark Morales
Color Artwork by Laura Martin ‘DePuy’

With Infinity just wrapping up many of you may be reluctant to jump right back into another event but I caution you, please do not miss out on Inhumanity and the major repercussions that are sure to be felt throughout the Marvel Universe Continue reading

REVIEW: “Infinity” #6

(Marvel Comics, 2013)

Review by Shawn Warner

Written by Jonathan Hickman
Pencils by Jim Cheung w/ Dustin Weaver
Inking by Mark Morales w/ Dustin Weaver, Guillermo Ortego,
Dave Meikis, Jim Cheung and John Livesay
Color Artwork by Justin Ponsor w/ Ive Svorcina

Jonathan Hickman has done what many thought impossible just a few issues ago, he has flawlessly brought together all of the numerous varied plot threads introduced over the past seventeen issues that have comprised the Infinity Event Continue reading

REVIEW: “Hawkeye” #13

(Marvel Comic, 2013)

Review by Shawn Warner

WRITTEN BY: Matt Fraction
ARTWORK BY: David Aja
COLOR ARTWORK BY: Matt Hollingsworth
LETTERING BY: Chris Eliopoulos

The wait is finally over. The interval between issues was painfully long this time but to avoid using fill-in creators this is the price we pay, but boy is it worth the wait. Continue reading

REVIEW: “Hawkeye” #8

(Marvel Comics, 2013)   –   Reviewed by Sam LeBas

Hawkeye_7_Cover-small1Hawkeye #8 starts with a visual bang of brilliant storytelling from Aja and Fraction. This issue marks the beginning of a new story arc centering on Clint Barton’s seemingly ill-advised involvement with a red-headed stranger, Penny, and her litany of complications. From the beginning of this series, Fraction and Aja have stressed that their focus is purely on what happens to Clint when he is not working with the Avengers. That’s for the best, because issue 8 takes him to some decidedly un-heroic (a strip club mafia-front and jail come to mind).

Clint gets tangled up in Penny’s charms and proceeds to make a series of questionable decisions. Fraction bravely allows Clint to be a guy, not a perfect, shining, armor-clad hero. Clint’s ability to (and at times downright insistence that he must) make bad decisions make him intensely relatable and endearing. The humorous tone of the book remains grounded firmly in Clint’s refusal to take himself seriously. Against all odds, Fraction is able to make an elderly man wearing a tracksuit and an oxygen mask work as a villain in a Marvel superhero book; this should give you some insight into the outrageous twists and turns you can expect in this series. Near the end of the issue Fraction relates these street level skirmishes to some truly heavy-hitting monuments of Marvel mythology, showcasing his skill as a writer, and setting the table for the next course.

While Fraction’s choices make the narrative of this book stand out, what cements this book’s must-read status for me is Aja’s artwork. Nowhere in the cape-wearing comic world is there a more identifiable trademark style than an Aja on Hawkeye. Not only his rendering style, but his aesthetic choices regarding everything from layout to the angles he chooses to show scenes might as well have his name in neon lights.

For those of you that are unfamiliar with Aja’s art style its somewhere between pop art and 1960s advertising graphics. Aja uses very little shading, and coloring is generally very monochromatic. Because he commonly fills a page with up to twenty-four panels, his canvases can be very small. So, considering that Aja works with a limited: color palette, linear variation, and space; and still manages to tell such incredible visual stories, I am going to go ahead and label him a genius. I am so glad that he’s back for this issue.

In addition to getting Aja back on the title this month, we have also been given the extraordinary gift of five big beautiful full-page illustrations from Annie Wu. Wu’s work evokes a completely different feeling than Aja’s and provides brilliant contrast by hearkening back to the genre of romance comics. I do not think there is another medium on the planet that allows you to purchase so much great art for $2.99.

Hawkeye is a completely original take on hero books tethered by Fraction’s bold storytelling and Aja’s signature artwork that hits the mark in a big way this month.

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Follow Sam on twitter @comicsonice or check out her blog comicsonice.com