(Marvel Comics, 2013) – Reviewed by Sam LeBas
Writer: Brian Michael Bendis
Artist: David Marquez
Color: Marte Garcia
Letterer: VC’s Cory Petit
Issue #8 of All New X-Men delivers humor, action, character development, and the realization that these characters are asking many of the same questions that we readers have been mulling over these last few months.
Bendis’ storytelling remains engaging. He shows his skill at juggling a large cast of characters while simultaneously advancing this high-concept plot. This series makes each character’s motivation clear, and deserves credit for allowing these motivations to matter. Each member of the team has agency and narrative weight, but somehow does not bog down the overall momentum of the story.
In this issue we finally get the opportunity to learn more about Warren as he fights alongside Angel to protect the Avenger’s Mansion from Hydra’s forces. Warren’s anxiety about his future crystallizes as he learns more about this contemporary version of himself. Bendis incorporates character development and action expertly in this stunning sequence. Just as the battle reaches its pinnacle, the Avengers make their appearance.
The realization that Hank McCoy has tampered with the space-time continuum does not sit well with the Avengers. They travel to the Jean Grey School to confront the doctor, with Captain America serving as ambassador. A conversation about ethics and consequences of scientific principles between a genius and a moral straight-arrow should not bring about much laughter. However, Bendis finds a way to diffuse the tension; giving the story a moment of levity as Kitty and Bobby approximate the exchange out of earshot of Cap and McCoy.
Warren’s apprehension about the future, and desire not to know what it holds for him lead him to make an ill-advised attempt to go home. Thankfully, there is a voice of reason to stop him. Despite the high-flying action sequence, the confrontation with the Avengers, and the breakdown of one of the main characters; the most important moment of this issue may be its reminder that Jean Grey is a wild card. What are the implications of such a young version of Jean having access to so much history that has not yet come to pass? If you are not asking yourself that question, you might be missing the point. This foreshadowing casts a long, dark, ominous shadow that plunges the series into a new level of darkness.
Marquez artwork is very well suited for this series. He consistently brings a youthful exuberance to the page, and captures character with a seeming effortless. He gets the outside of the heads so right, that it is easy for the reader to get inside them. His work truly adds to the narrative quality of the book highlighting its themes and nuances, not in an obvious way, but by nudging readers to notice what Bendis has already put into the writing. A two page spread of Warren and Angel fighting Hydra’s goons reveals a great deal of contrast between where this character started, and what he has become. Marquez’s visual representation of this idea brings new clarity to a beautiful moment.
Do not miss an issue of this series. It bubbles with action, fizzes with humor, and beats with the pulse of a phenomenal cast of characters driving the book ever forward.
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